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O silêncio em Samuel Beckett
Maria Margarida C. P. Costa Pinto
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AbstractO Silêncio em Samuel Beckett, which may be translated as The Silence in Samuel Beckett, focuses mainly Waiting for Godot and Endgame in their English versions, translated by S. Beckett himself. This essay attempts to analyse the ‘fundamental sounds and silences’ in a both straightforward and fresh perspective. Thus, emphasis is given to the beckettian pauses in the two above-mentioned plays, a device which has a semantic and a pragmatic relevance, counteracting the lack of definition of the spoken words.
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