Periodicals / Journals
Revista da Faculdade de Letras : Filosofia
Pluralidade e ambiguidade na interpretação artística
Eduardo Paz Barroso
AbstractThis work is enclosed within the scope of an investigation on the aesthetics and the philosophy in Teixeira de Pascoais, a Portuguese poet and essayist, 1877/1932. Its purpose is therefore to discuss a reference which can already be considered as a «classical» study on today's aesthetics: «Open Work» by Umberto Eco. Two editions of it were used (a French one — Seuil, '1965 and a Brazilian one — Editorial Perspectiva, 1974) . A critical rereading of the text by Umberto Eco is proposed by connecting it with the statute of he artisic piece and wiih its hermeneutics. The aspects analysed are the following: —the identity of the world; —opening and trip; —the creator, the interpreter and solitude —choice ad entropy.
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