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Revista da Faculdade de Letras : Línguas e Literaturas
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Gil Vicente e a teatralização das linguagens
Salvato Trigo
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AbstractThe author attempts to show that the polyglottic nature and the linguistic «gibberish» of Gil Vicente´s theatre does not intend to imitate the authenticity of its characters but to «carnivalise» the text, thereby making it a kind of manipean satire, which was in vogue at the time. The author intends to demonstrate that the theatre of Gil Vicente is not a «theatre of signifiers» (i.e. Gil Vicente´s writing is not imitative in the aristotelic sense, but figurative).
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