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#Reframing colonial narratives : notes about Post-photography
Ângela Ferreira
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What can an artist do on the edge of the abyss? And how can the image make reflections vibrate, embracing the wealth and diversity of life forms? This article starts from my archive, in which I immersed in a year of introspection, to extract politic and poetic forms from the cartographic conjuncture that led me to inhabit, two lands intrinsically connected by the expansionism of modern history: Portugal and Brazil. The article presents a hybrid and existential reflection on the potential of images that point to paths, or “resolutive” images, a term used by the farmer and quilombola leader Antônio Bispo do Rosário. Exploring the reversing process in which audiovisual cultural products are usually extraverted from the West to the Rest (Hall, 1992), this article aims to probe vernacular narratives as privileged sites of inquiry for the study of post-colonial issues which remain as points of tension between Portugal and its former colonies. Using an aesthetic approach supported by historical, political and social investigations of post-photography, this article will promote equivalence between this archive and contemporary issues of decolonization and consciousness in a globalized world.
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Data da última atualização: 2022-06-17

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