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Approximations and distancing between contemporary art and decolonial thinking : Documenta 14 and MASP
Aldones Nino
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AbstractThis article aims to analyze recent artistic proposals that work with categories such as post coloniality and decoloniality. The present research analyzes the institutional places and platforms of diffusion of this recent production, a dynamic process that is creating new cultural manifestations, in several geographies, with interest to question the remaining of the cultural submission, starting from a work of interpretation and visibility based on mechanisms linked to politics and resistance. We will seek a transnational dialogue, based on the public programs of documenta 14 and the São Paulo Museum of Art (MASP), highlighting the commitment that these programs have in evidencing the emergence of new narratives starting from the booming of themes that involve histories, establishing the possibility of creating debates in which the remnants of colonial structures that are sometimes questioned, sometimes evidenced. Such programs can be seen as a set of elements that help to reflect on a new political, social and global order.
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